Portuguese Pop Culture

 WOMEN WHO READ WOMEN

Aida grew up in a family where women read. As a child, she received her first book and since then, she had the idea of opening her own bookstore.
Confraria Vermelha (The Red Fraternity) located in Porto, is the only feminist bookstore in Portugal. Not only is it a place to buy books written by women, but it is also a space to pay tribute to feminine literature and talk about it.

"Each text is an island." This phrase was said in the last moments of the meeting, is a beautiful metaphor to describe the Leitoras de Pandora reading club sessions. It is late afternoon, in a quiet street in Porto and the participants are arriving. The environment is more than informal, it is homely. Aida Suarez, 35 years old, owner of the Confraria Vermelha, the only feminist bookstore in Portugal, wants to ensure everyone feels comfortable.

After all, it is here where they will share opinions, experiences, occasionally one or two confessions and above all, discuss books. Books, it’s always the books. That’s the passion (yes it is a passion) of these women who get together every last Thursday of the month in this place.

To have her own bookshop used to be an old dream of Aida, as old as when she learned how to read. "I think that I wanted a bookstore since I received my first book", says Aida. She grew up in a family of women. Women who read. This was her first big feminist influence, cemented, much later, with trips to Barcelona and Madrid, where she would come across feminist bookstores, which had existed for more than 40 years.

Why not open one in Portugal too? "It's not about taking advantage of the feminist cause visibility, not at all. I wished the Confraria to be mainly a bookstore which would pay tribute to so many female genius authors.” That’s why we don't only sell books on feminist themes. There are various collections of books written by women – history, children's literature, sexuality, philosophy, politics, travel, health or art – and a library to consult them.

From Aida’s willingness to put her dream into action, it only took a couple of years and a crowdfunding to give the project its final push. The bookstore finally opened doors in 2015. On the bookstore’s display window, Clarice Lispector, Virginia Wolf, the godmother of Confraria, and Florbela Espanca greeting the passers-by and inviting them to take a peek inside.

There are authors’ framed pictures everywhere, small objects with book quotes, a turntable in the back of the room with a Janis Joplin vinyl, coffee and tea machines, cookies on the table so that nothing is discussed on an empty stomach.

Everything is ready, the group is forming. This time, every reader brought a book that marked them. Aida initiated the discussion with presenting 2 new books. Women by Carol Rossetti and Las Chicas Son Querraras by Irene Cicico and Sergio Parra. From a hand to hand, they turned the pages and discussed the illustrations. The first to present her book was Sara Riobom, who did not just come to talk about Maria Teresa Horta, but also to read her work. By sharing an excerpt about the body, which is subjected to various interpretations, respectively whether it's a man or a woman’s body, the discussion focused on the way we perceive our own body. Maria Teresa is one of the women who has been on the shelves for a longer time and Aida couldn’t prevent herself from recommending the reading of Novas Cartas Portuguesas (New Portuguese Letters).
Maria João Coelho who was attending the club for the first time held the book “A Metáfora do Coração” by Maria Zambrano. “It is a philosophy of the heart”, that is how she justified her choice. The question followed “Why are women punished for being emotional?”. “To act with the heart can be an absolutely rational choice”, says Júlia Jardim from Minas Gerais, Brazil. There seems to be a consensus around the group about seeing the need to interpret emotionality as a strength and not as a weakness.

Marta Reis crossed the ocean to revisit Alexandra Lucas Coelho. Vai Brasil (Go Brazil) is the publication, travels are the motto. The choice was simple, travel books are a big part of Marta’s life growing up. “I have always seen my family travelling to remote places; I have always read books about this theme. It is fascinating to travel through the words of another person.”

Sara identified herself with Marta, a travel blogger, she goes alone everywhere. “It is such a big pleasure, it is a bigger availability for everything that is around us”, she assures. Aida, who just returned from a trip herself, had her first solo travel experience not a long time ago. “It was liberating!”, she confesses. “Every time I say I’m going to travel, I always hear the same question: why are you going alone, jokes Sara.
Moments are shared; there was a general laughter about a trip to Moscow where vodka was the only word understood and the only salvation.

The Brazilian Júlia brought Harper Lee’s “Não Matem a Cotovia” (“To Kill a Mockingbird”). There’s a discussion about childhood, the character’s growth, the growth of each one of us. “The first time that she felt that everyone wanted her to be less than who she really was, was at school”, says Júlia. The second book that Harper Lee did not want to release is a target of negative criticism describing it as a sloppier version of the first. “She wanted to be an author of a big book, one unique memorable work”, defended Aida. There is herbal tea break.
The herbal teas of Ana Hatherly, author and friend of Helena Topa, brought with her two books, visibly marked by time and by re-reads. 351 Tisanas and 463 Tisanas, two works that combine loose texts without connection between each other. They are small infusions of ideas, mantras, resolutions, and advices. Helena says that “they are like a Japanese haiku” and she picks five or six to read, ends up reading more. There are smiles across the room, they are taking notes of the end of the sentences. Not everyone knew about them, it is the surprise of the afternoon. “Every text of these is a small nature painting.” Again, a metaphor that fits the moment.

The authors mentioned are described as if they are friends. They leave a mark on life stages; help overcome the stages that were not so good, they always come to them when they need it the most. That is friendship, is it not? There’s more than talking about feminism, there’s talking about devotion to literature.

“The Confraria is a feminist project, in its creation, because we have by majority feminine authors. But men are welcome, we already had some of them participating in the Club and the conversation is always very good”. Explains the owner holding a book in her hand.

There are one piece of news left to discuss. “Jane Austen Reading Club”, which has already been adapted as a moving picture, is the chosen one. “Jane deserves an opportunity, she is always portrayed as a romantic author. But there’s another side that we have to explore here. She will be one of our next authors!”

The desire to deconstruct ideas is one of the mottos of these meetings. Beyond The Pandora Readers, there are other group activities happening regularly. In tertulias “Ler para Conviver” (Read in order to co-exist), the aim is to celebrate the birth of an author and to discuss her work. And to prove that we can talk about everything, there are scheduled reading sessions about...Harry Potter.

OTHER READING CLUBS
Pandora Readers is not the only reading club in Porto. “Conversas Para Lê-las” (Conversations to read them) is another club that gets together regularly to discuss the lesbian matter and the bookstore Flâneur also has its own reading club. In Lisbon, o “Chá de Letras” (Tea of letters) is an event that invites the participants to not only bring authors they admire, but also their own writings to discuss. O Instituto Cervantes in Lisbon also organizes events where they are read, the majority are Spanish authors.

Original Source: https://goo.gl/1c1wHf
Chosen by: Badriah.
Translated by: Badriah.
Revised by: Luísa.

When I saw a report about Confraria Vermelha on SIC, I knew I wanted to include it in this blog. Whether it qualifies to be  pop cult or not, it is a question I leave up to the readers. For me, pop culture can be anything we make it. In this article, we learn a lot about different authors and different books which I thought was interesting. It was written in a way that made me feel like I was part of the meeting. Confraria Vermelha for me is a great idea that deserve to become a popular culture topic because it showcases works of women, something that hasn't happened in the previous decades. I can’t help but think of Florbela Espanca and her struggle to get recognize by her fellow male poets and authors. You can read in her work how painful it was to her to not be able to break into or get noticed in the literature scene that was dominated by men.

- Badriah.


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Aldeia da Roupa Branca (Village of the White Clothes)

Beatriz Costa


Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
Clothes in the hill drying
Observe it well, so white and light
Gives ideas to those who look
Observe it well, its like falling snow

Cold water, of the little river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,
That the customer added to the list. (2x)

Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
Look at this wedding set
Observe well, the blue of hope
The mount looks like a pigeon house
Observe well how white are the doves

Cold water, of the river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,
That the customer added to the list. (2x)

Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
A sheet of unbleached cloth,
Observe well how cleaned it is,
We slept on it, me and you,
Observe well, it is linen color.

Cold water,  of the river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,

That the customer added to the list. (2x)


Original Source: https://goo.gl/uS3DYH
Chosen by: Luisa.
Translated by: Luisa.
Revised by: Badriah.

“Aldeia da Roupa Branca” is a 1938 Portuguese film, seen by every grandmother in Portugal and held as a national cinema classic. This tale has been made timeless, not only by starring an actress who is considered to be the most important Portuguese actress: Beatriz Costa but also by the iconic song she sings in the most recognizable scene of this moving picture, where she is doing laundry in the river while singing this catching tune.
The most recent generations of the Portuguese population may not recognize the film or the song. In my opinion, a huge role to play in Portuguese pop culture and cinematic past. It depicts the Portuguese 30’s society very faithfully and it is about ordinary people doing ordinary activities in an ordinary scenario while still showing the richness of what it is to be part of the extraordinary Portugal. Always with a bit of a love story mixed into it, and how beautiful Portuguese love stories can be in a place like this one.
I found out that translating this song is a bit of a challenge mainly because of the Portuguese jargon, considering that those lyrics are “very Portuguese”, some words appear to lose it’s identity when translated.

- Luisa.
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Original Source: https://goo.gl/7sjJDz
Chosen by: Luisa.
Translated by: Luisa.
Revised by: Badriah.

Inspector Max is a crime TV series broadcasted by TVI ever since 2004, when it aired.
Despite having ended in 2005, this show has been in constant reruns ever since. Consequently it has become dear to all Portuguese citizens and a part of the childhood of Portuguese children for more than a decade. It has become a sort of a national TV treasure. And recently it has returned once again. Although instead of rerunning the same episodes over and over again, it has been allowed a new season with brand new episodes and the Portuguese get to see what laid ahead for the beloved characters they grew up watching.

No one can deny how relevant this show has become to the entertainment industry in Portugal, where the major part of TV productions like this are often ruled out and ignored by audiences overshadowed by the soap opera tradition on national TV or by foreign TV shows with deeper pockets.

I chose to translate this article to show how this reawakening of a long lost TV show means Inspector Max’s importance for Portuguese audiences, who never forgot about it and always craved for more adventures of the friendly animal and its owner.

I also chose to translate a short clip from an old episode along with it, because as part of the generation who accompanied it through all these years, this show with it’s epic old episodes filled with family drama and criminal chasings are still special to our inner child and iconic on our culture, never to be forgotten (even if the reruns suddenly stop once and for all).

- Luisa.
*Please Turn the CC on Amara Player for Subtitles*
Inspector Max - Between the Dagger and the Wall (Excerpt)r
[SCENE 1]
Are you sure he is here?
Well, the roommate said that,
the professor asked them to meet him here.
Come Max!
Come on!
Maybe it’s better to stay out
And cover the perimeter
In case he hasn’t come.
Deal. Let’s go. Come on Max!
[SCENE 2]
MAX BARKS
DOOR SLAMMED OPEN
Freeze!
Freeze!
MAX BARKS
Calm down Max
Lower your dagger Vieira!
We already know everything.
Everything?
There’s nothing to know
Either you let me leave calmly or there will be beef on a stick for dinner.
Don’t do anything stupid!
Vieira you’re under arrest!
MAX BARKS
[SCENE 3]
You have to be patient!
Your father has work.
And we have to wait a little.
Sometimes it takes longer.
Calm down!
Don't resist little girl!
Over there!
To the left. To the left.
Enough! Come on!
Will you take over?
I will.
Oh what a surprise!
Hello!
Hello! Hello Sergio.
Dad, who was that man?
A criminal of the worst kind.
But we're here to catch people like that.
And you? What are you doing here?
Vasco has something to tell you.
Vasco?
Uncle, I messed up.
The woodworms wouldn’t die
So I thought of...
The beetle poison that grandpa has
And…
And, and what?
And tonight...hotel for everybody
Look, Vasco...
I know. I know.
I won't get payed for killing the worms,
And I will also pay for the house cleaning
There you go!
But that’s not fair uncle!
You don't want respect Vasco?
To gain respect
You have to know how to respect.
Don't you think?
MAX BARKS
See?
Even Max gets it.
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"Inspector Max" returns to Portuguese TV(from where it never left) in 2017
The police dog series comes back to families’ companionship 12 years later. The constant reruns on TVI make you believe that there was no interruption, but there was. Max, the dog retired, but crime never did.


Fernando Luís (inspector Jorge Mendes) realça sempre que Max é que é o verdadeiro protagonista
Fernando Luís (inspector Jorge Mendes) always stresses that Max is the true TVI protagonist
Rita Pimenta RITA PIMENTA 
November 30, 2016, 16:19
In 2017, Setúbal will be made safer once again with the Judicial Police Criminal Investigation Department team, reinforced by inspector Max Jr., son of the old German shepherd Max. Inspector Jorge Mendes (played by Fernando Luís) will become Coordinator and Sérgio Calado (played by Rui Santos) will be promoted to Chief Inspector. The first will marry a lawyer and the second will divorce a doctor.
These are some of the additions to the new season of Inspector Max, which will be presented in Setúbal on Tuesday. The show is produced by TVI and Coral Europa. On set, the actors paid tribute to inspector Jorge Mendes and introduced the characters that they will play.
Actress Maura Faial, newcomer to the team, was genuinely nervous as she introduced herself as Vera Lucas, the "Head of research lab". On the other hand, Rita Salema genuinely pretended she was nervous when describing her role as Mendes family's maid in a humorous moment at the Sado Hotel.
Previously, outside, it was time to meet Giga (Max Jr.) and Brownie ( Retired Max ), the two main characters of the new series. In fact, Max is a female dog, six and a half years old, "calm and sweet, a lady," said Diego, holding the leash. Max Jr. is approximately four years old and "He is more lively and vibrant" explains Paulo Motrena, stating that both are "German shepherds with wolf coat".
Fernando Luís told PÚBLICO he was satisfied with the return of the series and invited viewers to watch the new season, always highlighting the role of Max the dog: "He is the true protagonist. This Max is even better than his father. More skillful, younger, more energetic. You will enjoy watching him". In the scenes shot the day before, the dog had saved the actor from an explosion. Fernando Luís told us that his character "will have a teenage stepdaughter", after marrying.
He said that the relationship with his younger, 36-year-old wife in the series (played by actress Patrícia Tavares), "will be complex because it involves conflict of interest at a professional level." The couple will often be on opposite sides, with the wife defending some of the criminals accused by her husband's police department.
A romantic risk
"Why make a remake if we continue to get high ratings [with the reruns of the series]? " wondered Bruno Santos, Director of TVI Programs."We decided to take that risk. It is a calculated risk, but it is a romantic one," said Bruno Santos.
He recalled that the series "is absolutely a cross-product." He is sure that "there is no one in Portugal who likes TV who has not seen at least one episode." He also explained that they wanted to make a sequel "to avoid interruption" (It would have been the case if TVI had opted for an "absolute remake "), and he spoke of the will to "preserve the figure of Max the dog,". Especially “for those children who even today identify themselves with the animal."
Concerning what you can expect from the new episodes, Nuno Duarte, coordinator of the screenwriters team, told PÚBLICO that they used "the same formula as before, which was a success." He reminded the audience that the team is "basically the same team that wrote the screenplays ten years ago," so the public can expect "the same kind of stories and tone but with new characters, and always respecting the old characters and the kind of action and narrative" that viewers have become used to.
Nuno Duarte gives us an example of this, saying that in the new series it would be unthinkable to have situations in which characters cannot be reached as, he explains, "today all kids have a mobile phone and send text messages. We are integrating modern technology into the the episodes. "
As they are integrating the personal and family dynamics of the experience of each one: "I also have discussions with my son. There's a lot of us writing the script and therefore all of that gets there. "
When asked if we will find mobile phones on his  dining table, he answered in a good mood: "Only if they are not grounded".
Original Source: https://goo.gl/CFAL2p
Chosen by: Luisa.
Translated by: Luisa.
Revised by: Badriah and professor Elena.

Inspector Max is a crime TV series broadcasted by TVI ever since 2004, when it aired.
Despite having ended in 2005, this show has been in constant reruns ever since. Consequently it has become dear to all Portuguese citizens and a part of the childhood of Portuguese children for more than a decade. It has become a sort of a national TV treasure. And recently it has returned once again. Although instead of rerunning the same episodes over and over again, it has been allowed a new season with brand new episodes and the Portuguese get to see what laid ahead for the beloved characters they grew up watching.

No one can deny how relevant this show has become to the entertainment industry in Portugal, where the major part of TV productions like this are often ruled out and ignored by audiences overshadowed by the soap opera tradition on national TV or by foreign TV shows with deeper pockets.

I chose to translate this article to show how this reawakening of a long lost TV show means Inspector Max’s importance for Portuguese audiences, who never forgot about it and always craved for more adventures of the friendly animal and its owner.

I also chose to translate a short clip from an old episode along with it, because as part of the generation who accompanied it through all these years, this show with it’s epic old episodes filled with family drama and criminal chasings are still special to our inner child and iconic on our culture, never to be forgotten (even if the reruns suddenly stop once and for all).

- Luisa.


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Original Source: https://goo.gl/u3dUvT
Chosen by: Daniela.
Translated by: Daniela.
Revised by: Badriah. (No revision needed, Daniela did a great job).


“Morangos com Açúcar” was a portuguese teen drama, created by TVI. It was aired between 2003 and 2012, with more than 2000 episodes and 9 seasons. Without any doubt, this serie marked a generation. That’s why the people born in the late 80’s and 90’s are called “Morangos com Açúcar generation”.
Morangos ended 5 years ago, but people still know the names of the main characters. That’s the reason why I decided to translate the first opening of the first season. Basically, this was not only the beginning of a TV show, but also the beginning of what had become a national phenomenon: there was merchandising, there were boys and girls bands who started in the show (like D’zrt, or Just Girls), and even a movie. If there was a fashion trend or “cool” words in the show, people would imitate it.
For 9 years, Morangos was a synonym of how our generation acted or wanted to be. Personally, I still have magazines where my “crushes” from the show appear. For many people, including me, Morangos com Açúcar tastes like childhood and nostalgia and reminds me of great moments.

- Daniela.

*Please Turn the CC on Amara Player for Subtitles*
Strawberries with Sugar
I see in the waves, the desire to surf
Being here by the sea next to you
I am the forbidden fruit
But you have to taste it
Sweet, bitter and salty as the sea
It is the forbidden fruit
That you will want to taste
Like the land is to the sea
Strawberries with sugar
It is the forbidden fruit
That you will want to taste
But you will have to fight
Strawberries with sugar!
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Analysis - Captain Falcão

Sergio Batista. April 30th, 2015



Before joining the PróximoNível team, I have already had some practice in writing game reviews. However, the same does not apply to movies, something I do not consider myself the greatest expert on. But I am able to distinguish a good film from a bad one and there is no better way for me to start writing movie reviews than with a film about a fascist superhero.

Captain Falcão (Falcon) is a satire of Salazar's dictatorship in Portugal during the 60s. At first, Captain Falcão was going to be a TV series with a pilot episode scheduled to air, but it wasn't approved. So they decided to change the format and now we have the first Portuguese superhero film.



We follow the adventures of Captain Falcão (Gonçalo Waddington) and his partner, Puto Perdiz (David Chan Cordeiro) in their fight against the enemies of the nation, taking orders from António de Oliveira Salazar (José Pinto). They face all kinds of threats: communists, feminists and the fearful Captains of April.

The idea of ​​a superhero who defends Estado Novo and its ideologies may seem bizarre; however this film carries out this idea without failing. Some people see this as an advertisement for fascism and Salazar and truthfully, it really is, but it's all part of the premise of the film which makes it into something unique and never seen before in Portuguese cinema.



The film is strongly inspired by the 60s superhero television series such as Batman and The Green Hornet. It may rely on scene transitions or backgrounds to simulate motion while you are in a vehicle and it has a very striking visuals. Unlike the superheroes mentioned above, Captain Falcão can be an incredibly despicable person, but with a certain charm, especially when he starts yelling and saying things that I will remember and quote for a long time.

All this is a result of the script and the excellent interpretation of the actor who provides hilarious moments all the time. The film is full of exaggerations and politically incorrect jokes where the biggest victim is indeed communism, which makes sense given the historical context. One thing is certain: if I was a communist, I would not accept a Portuguese rice muffin so soon during an interrogation.



The rest of the cast also does a great job to interpret their roles. Puto Perdiz remains silent all the time, but communicates through his expressions, looks and especially when he's fighting.
Salazar almost convinced me that he was just an innocent elderly.

I could not forget to mention the fighting scenes. Thanks to the group Mad Stunts, we can watch detailed fight scenes that make the movie even more intense and fun to watch.



Unlike the "typical Portuguese film", Captain Falcão is a breath of fresh air. Not only is it a fun, provocative and innovative film, but it also opens the door to new different genres of films in Portuguese cinema. But for that, this film needs to be a success, so fulfill your civic duty and go watch the movie!

Pros
  • Political satire with fighting scenes
  • Captain Falcão yelling
  • The dinner and interrogation scenes
Cons
  • It is the ideal film for communists
  • The plot twist of the end was predictable
  • We need to wait for the sequel

Original Source: https://goo.gl/3IaVSy
Chosen by: Daniela.
Translated by: Daniela.
Revised by: Badriah.

I chose this film because I think it innovated the superhero genre in Portugal. We had never had a Portuguese superhero, until João Leitão decided to shoot this movie.

It is a film that can be watched by everyone, because it makes fun and parodies elements of global pop culture that marked generations. For example, the Captains of April are a reference to Power Rangers and X-men. The Communist super villain is a reference of the Ming the Merciless from Flash Gordon.

I have to admit that this movie was the first and the last Portuguese film I've watched in the cinema. This movie is a must see.

- Daniela Marques


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Philosopher's Stone
(by António Gedeão)

They don't know that dreams
are a constant in life
so concrete and well-defined
as any other thing,
like this grey rock
upon which I sit and rest,
like this gentle stream
skipping serenely,
like these tall pine trees
that shuffle in green and gold,
like these birds that cry
in fountains of blue.
They don't know that dreams
are wine, are foam, are ferment,
are thrilled and thirsty creatures,
with pointed snouts,
who dig through everything
in perpetual motion.
They don't know that dreams
are canvas, are colour, are brush,
base, shaft, capital,
ogival arches, stained glass,
cathedral's spire,
counterpoint, symphony,
greek mask, magic,
that's a counter to alchemy,
distant world map,
compass rose, Infante,
fifteenth century ship,
that's cape of Good Hope,
gold, cinnamon, ivory,
swordsman's foil,
backstage, dance step,
Columbina and Harlequin,
flying Passarola,
lighting rod, locomotive,
festive figureheaded boat,
blast furnace, generator,
nuclear fission, radar,
ultrasound, television,
blasting off in a rocket ship
on the surface of the moon.
They don't know, nor do they dream,
that dreams command reality,
that every time a man dreams
the world bounces forward
like a colourful ball
in the hands of a child.
I chose to translate Pedra Filosofal because it’s one of my favourite Portuguese language poems and the only one I know my heart. I like it so much, I even had the courage to perform it in public in Secondary school for a Literature Day! It’s a very beautiful poem.


Translating poetry is always very difficult. I decided to not even attempt to stick to the rhyme scheme, giving priority to the syllabic count on each line. Of course, it was impossible to match it perfectly, but I tried as best as I could to keep the general flow and rhythm of the poem, as it is often accompanied by music.

Original Link: https://goo.gl/gijNYM

Translated by: Mariana
Revised by: Badriah (I don't want to take credit for this translation, Mariana did an excellent job and I didn't edit anything).
Chosen by: Mariana

I chose to translate Pedra Filosofal because it’s one of my favorite Portuguese language poems and the only one I know by heart. I like it so much, I even had the courage to perform it in public in Secondary school for Literature Day! It’s a very beautiful poem.
Translating poetry is always very difficult. I decided to not even attempt to stick to the rhyme scheme, giving priority to the syllabic count on each line. Of course, it was impossible to match it perfectly, but I tried as best as I could to keep the general flow and rhythm of the poem, as it is often accompanied by music.


- Mariana Costa
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Original Link: https://goo.gl/PwfeaC
Translated by: Badriah
Revised by: Luisa
Chosen by: Daniela

In this song called Always Absent, António Variações is asking someone a series of questions. This person seems distant, lost, lonely and people do not like that about him. From the lyrics we can tell that the person is also trying to find their way, achieve their dreams, but somehow they get locked in a fantasy that gives them thrill, that make their life more meaningful. Towards the end of the song, Variações reveals the person that he was talking to and that person is himself. This adds another layer to the lyrics, the artist does not like the way he is distant and lonely, but he cannot help it.

The reason why we chose to include Variações in this blog is, his uniqueness and creativity and how much he brought to the current popular culture as we know it today. António Variações was without a doubt, an artistic gem, a head of his time. Unfortunately, he passed away too soon and left many unfinished projects in which artists of today tried to finish those albums as a tribute to Variações. We can still hear  António Variações music in the radio today and that is a sign of a true pop icon, one who imprinted his genius music lyrics, unique style and voice for generations to come. 
- Badriah.

*Please Turn the CC on Amara Player for Subtitles*
Always Absent by António Variações
Tell me what loneliness is this?
That makes you talk alone.
Tell me what conversation is this?
You're having with yourself.
Tell me what contempt is this?
That you don't look at anyone.
Or do you think that you don't exist?
That no one sees you?
What journey is this?
That drives you in all the directions
You're searching for lost dreams.
Uhhhhh...
Uhhhhh...
There goes "the crazy"...
There goes "the Deranged"...
There he goes...
That's what everyone calls you.
But you're always absent...
And you can't be reached.
But you're always absent...
And you can't be reached.
But you're always absent...
And you can't be reached.
Tell me what madness is this?
That makes you wear a fantasy.
Tell me it frees you...
From an empty life.
Tell me what distance is this?
That you carry in your gaze.
What eagerness and what hurry...
Do you want to reach?
What journey is this?
That drives you in all the directions.
You're searching for lost dreams.
Uhhhhh...
Uhhhhh...
There goes "the crazy"...
There goes "the deranged"...
There he goes...
That's what everyone calls you.
But you're always absent...
And you can't be reached.
But you're always absent...
And you can't be reached.
But I'm always absent...
And I can't be reached.
You can't be reached.
You can't be reached.
You can't be reached.
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Original Source: https://goo.gl/8cznDk
Translated by: Luisa
Revised by: Badriah
Chosen by: by Luisa


*Please Turn the CC on Amara Player for Subtitles*

Comic​ ​Con​ ​Portugal​ ​is​ ​the​ ​main​ ​and​ ​most​ ​famous​ ​Pop​ ​culture​ ​event​ ​in​ ​Portugal.​ ​It took​ ​place​ ​during​ ​late​ ​December​ ​of​ ​2016​ ​for​ ​four​ ​days.​ ​And​ ​the​ ​report​ ​we​ ​are​ ​presenting​ ​you​ ​is one​ ​done​ ​by​ ​RTP​ ​Arena,​ ​in​ ​which​ ​various​ ​visitors​ ​were​ ​interviewed​ ​during​ ​the​ ​event commenting​ ​about​ ​their​ ​current​ ​opinions​ ​of​ ​the​ ​newest​ ​edition,​ ​particularly​ ​on​ ​cosplays.

Translating​ ​this​ ​report,​ ​we​ ​noticed​ ​that​ ​our​ ​main​ ​difficulty​ ​laid​ ​in​ ​understanding​ ​each​ ​word pronounced,​ ​most​ ​frequently,​ ​by​ ​the​ ​visitors​ ​and​ ​more​ ​specifically​ ​when​ ​they​ ​said​ ​a​ ​character names,​ ​which​ ​demanded​ ​some​ ​research​ ​or​ ​when​ ​they​ ​talked​ ​too​ ​fast​ ​or​ ​in​ ​a​ ​low​ ​key,​ ​which made​ ​the​ ​transcription​ ​a​ ​more​ ​challenging​ ​task.​ ​However,​ ​this​ ​was​ ​not​ ​the​ ​only​ ​challenge​ ​we faced​ ​while​ ​translating,​ ​the​ ​opinions​ ​given​ ​and​ ​the​ ​statements​ ​made​ ​were​ ​sometimes​ ​very vague​ ​and​ ​,given​ ​that​ ​it​ ​was​ ​in​ ​a​ ​context​ ​of​ ​an​ ​interview,​ ​there​ ​were​ ​some​ ​grammatical/speech errors​ ​which​ ​made​ ​the​ ​translated​ ​material​ ​sound​ ​ludicrous.

Overall,​ ​given​ ​the​ ​simplistic​ ​vocabulary​ ​and​ ​the​ ​short​ ​length​ ​of​ ​the​ ​report,​ ​it​ ​wasn’t​ ​the​ ​most challenging​ ​of​ ​tasks​ ​and​ ​made​ ​us​ ​improve​ ​as​ ​translators​ ​in​ ​the​ ​sense​ ​that​ ​we​ ​were​ ​faced​ ​with the​ ​challenges​ ​of​ ​subtitling​ ​a​ ​video​ ​and​ ​making​ ​its​ ​transcription.
- Luisa Cravalho
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