Portuguese Pop Culture

Terry Gilliam film to benefit from new Portuguese tax incentive

’The Man Who Killed Don Quixote’ directed by Terry Gilliam will benefit from the new system of tax incentives created by the Portuguese Government to attract foreign film productions.




Business with Luso
May 10, 2017 at 14:22
Terry Gilliam was one of the members of the British comedy group Monty Python, who starred in a television series and several films. Pandora da Cunha Telles, a co-producer, explained to Lusa that parts of ‘The Man Who Killed Dom Quixote’ will take place in Portugal making it the first movie to benefit from the new system of tax incentives for cinema.

Tax Program for Cinematographic Work

With this tax incentive, the Government expects foreign producers to take a loan if they want to work in Portugal. This tax credit is deducted from the IRC (Corporate Income Tax), which is calculated on the expenses of the cinematographic production and it equals around one million euros. The program covers "cinematographic works of foreign initiative carried out with national producers or with national executive producer, works in international co-production and also works of national production", states the law. The maximum amount for annual tax credits is 7 million euros in 2017, 10 million euros in 2018 and 12 million euros in 2019.

Inviting Foreign Films to via PicPortugal

Because of this fiscal incentive, a portal was created - www.picportugal.com - with information about Portugal, to capture more foreign film productions. In the site there are attributes, praise and statistical data about the country including landscapes, monuments, emblematic and historical buildings, as well as information on legislation, producers and other Portuguese entities. Anyone who searches on PicPortugal will find a summary about the mild climate, the diversity of landscapes - from the 800 kilometers of coast, historic villages of the interior to natural parks, castles, palaces and urban art. Also, there are several film commission in the country that are promoting regions for film production, television or publicity.

There were a lot of foreign films that were filmed in Portugal or that had Portuguese cast and technicians, such as Fernando Trueba's "Belle Époque" (1992), Patrice Chereau's "Queen Margot" (1994), " The Nineth Gate (1999) by Roman Polanski, and " La fidélité" (2000) by Andrzej Zulawski.

What does this mean for Portugal?

According to the Film and Audiovisual Institute, in 2012, the cinema, audiovisual and multimedia sector in Portugal was made up of 6,800 employees, 811 companies and an amount of 949 million euros in sales.

Original Link: https://goo.gl/6D9tc6
Chosen & Translated by: Badriah.
Revised by: Luisa.

I was struggling to find new topics for this blog when I came across this article. This topic might be controversial for some people and that is why I decided to translate it. There is a big discussion on whether this initiative is helping or harming Portugal. In my honest opinion, tax breaks on the rich always had the same excuse "boosting economy, creating jobs, bringing investments" which I do not necessary agree with. Maybe this case is different since its promoting Portugal and its culture. Only time will tell if this is a good initiative or not. I just wish there were bigger promotion for Portuguese films and film makers.

- Badriah.
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Manoel de Oliveira: the misunderstood genius

Manoel de Oliveira was a Portuguese director who won the most awards. He was not always a consensual figure, but quite the opposite.


Manoel de Oliveira died this Thursday in Porto at the age of 106. He is considered the best Portuguese filmmaker of all time. However, the director with the most awards in Portugal was not always a consensual figure.


The story of the director is tied with the history/story of Portuguese cinema. The Porto native went through every phase of Portuguese cinema, from mute to sound, from black and white to color, from 1930s till now.


He was featured in the most important movie festivals in the world where he debuted many films and won prizes. A lot of prizes.


From movies such as  «Amor de Perdição» (Doomed Love, 1978), «Francisca »(1981) and «Le Soulier de Satin» (The Satin Slipper, 1985) he received the critics award in Venza festival. He also won Leão de Ouro for his work. In Cannes, he won the Jury Prize for his movie «A Carta» (The Letter, 1999) and he won the Golden Palm in 2008 as a recognition for his work.


A lot of countries paid tribute to Manoel de Oliveira and gave him distinctions. He received the French National Order of the Legion of Honour, World of Arts Valldigna from Valência’s regional government., The Golden Circular Medal of Fine Arts of Madrid and he was even given the Order of Merit (Order Infante D. Henrique.) from the president of Portugal.


Throughout his career, he was featured in the most prestigious publication in the world of cinema such as the French publication «Cahiers du Cinema». The publication did not fail to pay tribute to Manoel Oliveira when he passed away.


So it is justifiable to say that Manoel de Oliveira’s importance extended beyond The Seventh Art, he was an ambassador for Portuguese culture and language abroad.


However, it is important to point out the importance of Oliveira aboard as much as it is important to understand how he impacted Portuguese cinema, how he was not always a consensual figure and how his work continues to divide the audience.


Some say his films are slow, without rhythm and others say the movies are boring and sometimes sad.


But what separates Oliveira films from the Portuguese public? There are no clear explanation, but there factors that might have contributed to the issue.


The director have always had his own brand which distinguished him from others. This might have made his work attractive, but at the same time it caused it estrangement from the Portuguese audience which is used to certain ways of viewing films.


Film scholars consider his cinema a privilege, a presentation of theatre with a primordial influence while others say his films are great stages that presents the reality we live in: pain, violence, love or dreams - portraits of humanities.


In his work, actors have their own space and time, the movies are made of contemplation and the shots have freedom and time to breath. There is no rush, the spectator is invited to come in, to stay and to be involved.


Those characteristics are the opposite to those of the entertainment cinema. In popular movies, the shots are shorter, the scenes have more rhythm and there is a greater speed in the development of the narrative and the action.


Given the dominance of entertainment films in the industry, many experts argue that viewers are used to this type of fast, instantaneous language which can repulse them from a different style, which is unfamiliar to them.


Another reason is, the relationship between the Portuguese public and national cinema. Portuguese films, contrary to what happens in other European countries, are not exactly the most viewed in the country, according to the figures presented by the Film and Audiovisual Institute.

In this sense, Manoel de Oliveira could be considered the only one among several directors who is distant from the Portuguese public.

Orignial Source: https://goo.gl/K4kfY9
Chosen by: Daniela & Luisa.
Translated by: Badriah.
Revised by: Luisa.

I decided to translate an article about Manoel de Oliveira (a topic Daniela & Luisa have suggested before) because of his importance in Portuguese Cinema. I remember attending a tribute done by the University of Toronto to Manoel de Oliveira's work and that is when I discovered the genius director. I think it is important to talk about him in our blog so movie lovers can get to know his work. The first work from him that I have seen was Viagem ao Princípio do Mundo, but he directed more than 63 movies, so out readers can pick and choose.

- Badriah.

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http://img.obsnocookie.com/s=w800,pd1/o=80/http:/s3.observador.pt/wp-content/uploads/2016/07/29171103/117616357_770x433_acf_cropped.jpg
J.K. Rowling lived in Porto from 1991 until 1992. It was there in the invincible city that her first daughter Jessica was born
The connection between the author and Porto is a well-known one. For this reason, on the day the latest Harry Potter book is released, we point out 5 Portuguese places that inspired the author.

For about 2 years, Joanne Rowling walked the streets of Porto carrying the manuscript for “Harry Potter and the Philosopher’s Stone” under her arm. The two years were intense, filled with uncertainty and had their highs and lows. Her marriage to Jorge Arantes turned out to be a big failure, leaving her in a state that she herself described as “bottom of the well”.
The period she spent in Portugal (18 months in total) left such a mark that even today the author avoids the subject in interviews.  On her website, she called it “the dark period” of her life. But not everything went wrong. No only did her first daughter came along during the period she spent in the city, but also the project that would change her life drastically - Harry Potter.
This is why, on the day Harry Potter and the Cursed Child hits bookstores, we recall how and why “Jo” came to Porto and some of  places crucial to create Harry Potter.
The Getaway to Portugal
J.K. Rowling moved to Porto after the death of her mother Anne, in 1991. For many years her mother fought against a degenerative disease called multiple sclerosis. The death of Anne Volant left a scar in the author’s heart, which would come to be a strong inspiration for the creation of  Harry Potter’s background, a young wizard who lost his parents while still a baby.
VILA NOVA DE GAIA, PORTUGAL - 2003: Portugal's historic city of Oporto is viewed from across the Douro River in this 2003 Vila Nova de Gaia, Portugal, photo. (Photo by George Rose/Getty Images)
J.K. Rowling lived in Porto for 18 months before moving back to the UK (George Rose/Getty Images)
“Desperate to get away” — from England and from everything that reminded her of her mother –, Rowling decides to look for an exit. In the newspaper The Guardian, she saw an ad of a Portuguese speaking school looking for an English teacher. After deciding on applying for the job, she moved to Portugal where, for about 2 years, from 1992 until 1993, she worked in Encounter English in Porto.

She brought along the unfinished manuscript of Harry Potter expecting to be able to finish it between classes. The story had emerged in her mind two year before, during a train ride to London. J.K. Rowling had already written stories before, but she was never as enthusiastic as she was about this new one. Maybe because deep down she knew it would become something special.
Without a pen at hand and too shy to ask for one. She sat on her carriage for hours imagining the young boy’s adventures, who was unaware of being a wizard.
A little bit over a year from moving to Porto, the British author met Jorge Arantes on the no longer existing Meia Cave, in Ribeira. It was love at first sight and the two got married shortly afterwards, in October of 1992. On her spare time, between English classes, Rowling would wander from coffeehouse to coffeehouse, looking for inspirations in the streets of Porto while trying to finish  “Harry Potter and the Philosopher’s stone”, the first book of the franchise.
But her marriage to Arantes was doomed to fail. “The biggest failure” of the author’s life, so her stay in Porto was a short one. About a year after they met, in December of 1993, Rowling left the Portuguese journalist and came back to UK with her baby daughter, Jessica.
The following period was considered one of the darkest for J.K. Rowling. “Failing meant taking everything that want essential out. I stopped pretending to be something I was not, and focused all my energy in finishing the only work I was interested in” Says J.K on her website. And that “only work” was Harry Potter.
Porto stayed behind in the cafés, where she would scribble the adventures of the young wizard who has a straggly hair and a scar the shape of a lightning bolt on his forehead. Porto stayed in the mythical Livraria Lello ( Lello Bookstore) with it’s intricate wooden staircases. Porto stayed in bars she used to visit along with her friends. Those places, to which she never returned, still remind us of Rowling and her greatest creation, a boy named Harry Potter.
J.K. Rowling’s Porto
1. Majestic Café
The legend goes, that it was on one of the Café’s marble tables that the British author finished the first sketch of Harry Potter and the philosopher’s stone. J.K. Rowling used to go to the coffeehouse with her ex-husband, the journalist Jorge Arantes.
The connection between Rowling and the Majestic Café became so popular that many tourists suggested that the coffeehouse puts a sign stating that the author was there.  
“But we don’t know where to put it!” Franca-Presse Fernando Barrias, the son of the owner confessed.
It was in fact in Porto that she wrote her favorite chapter of the novel “Mirror of Erised”.
Aside from Majestic Café, on Santa Catarina, the British author also used to eat at the “Estrela d’Ouro” restaurant, a 70 years old establishment located in “Rua da Fábrica”.


2. Livraria Lello & Irmão
livraria lello porto
The Lello’s staircase is the main attraction of the library, which opened its doors in 1906. 
Livraria Lello’s popularity already crossed the world. Founded in 1906 by the Lello brothers, the bookstore located at Rua das Carmelitas became an instant sensation. As soon as it opened doors, it received an instant innumerous amount of visitors who were curious to see the Neo-gothic style of the building created by the architect Francisco Xavier Esteves, which stands its ground in the street where it was always located.
It has been considered in various number of times one of the most beautiful bookstore in the world. It has been a source of inspiration to many authors and artists, including Harry Potter’s author. It is widely known that the author used to go there and it was from those celebrated wooden stairs that she got the inspiration to create the famous Hogwarts staircase, which doesn’t stop moving, conducting the students to parts of the school where they are not meant to go.
It is for that reason that the Portuguese bookstore was chosen for the “Harry Potter and the cursed child” launch. To those who enter Lello, it is hard not to imagine the intricate staircase of the wizarding school.
3. University of Porto
In fact, it’s not the university itself that is important, but its traditional uniform worn by the students. It was on those Portuguese academic clothes that J.K. Rowling found inspiration to create the long black capes that are part of the Hogwarts’ uniform.
4. Swing Dance Club
On the first page of “Harry Potter and the prisioner of Azkaban”, the third book of the franchise, you can read “To Jill Prewett and Aine Kiely, the godmothers of Swing”. The dedication is one of the few references done by J.K.Rowling herself to the time she lived in Portugal. This one is dedicated to her old flat mates, British Jill Prrewett and the irish Aine Kiely.
Swing was an old dance club located near the Rotunda da Boavista, where “Jo” used to go with her colleagues, who were also teachers at “Encounter English”. Another bar the three girls used to visit was “Meia Cave” in Ribeira.  
5. Gardens of Palácio de Cristal
This is one of the places Rowling used to hang in during her time in Porto and where she wrote some parts of “Harry Potter and the Philospher’s stone” in the gardens of Palácio de Cristal (Crystal Palace).
These gardens were designed by the german architect Émile David to surround the “Crystal Palace”, which was created by architect Thomas Dillen Jones having in mind the London counterpart. Inaugurating in 1965, the building was demolished in 1951. On its place stands the Pavilhão dos Desportos, today known as Pavilhão Rosa Mota.
23980065
The Gardens of Palácio de Cristal are located in Massarelos, Porto. (Amin Chaar / Global Imagens)
Some say that it was in these gardens that J.K. Rowling found the inspiration to create the forbidden forest. It might be a bit farfetched, but it’s still a nice thought.

Original Source: https://goo.gl/Nm8Vgy
Chosen & Translated by: Luisa.
Revised by: Badriah.

The Harry potter franchise was an instant success in Portugal, maybe the most recognizable one by the Portuguese people. Our generation grew up watching it, ever since it’s childhood days. These films are rerun on Christmas, Easter, and every time there’s an opportunity for Portuguese TV to show it. And not surprisingly, people always watch it, no matter how many times they have seen them. And knowing that Portugal had such a huge role to play in the creation of that world and those characters makes it even more special. Every Harry Potter fan has the curiosity to visit these spots mentioned in the article, and being such a worldwide successful franchise, it makes those places known to the rest of the world and consequently making Portugal a favored destination.


- Luisa.
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Maria de Medeiros "When I read the Pulp Fiction script I thought: I don't know who is going to like this, but I sure do"


2/21/2014 00:00

The 48-year-old actress and singer talks about the 20 years anniversary of Tarantino's movie and about her third album, available this Wednesday.

Twenty years ago, Maria de Medeiros asked Bruce Willis about Zed in Tarantino's Pulp Fiction. After that, she has done so much as an actress and filmmaker that these lines do not even measure up to her accomplishments - rather they occupy them with a dialogue from the film. The daughter of maestro António Vitorino de Almeida felt constrained from writing and composing songs, but she overcame this in her third album, "Eternal Birds", where she collaborates with Legendary Tigerman and sings in four languages.

"Pulp Fiction" makes this year 20 years. What memories do you have of that time?

Oh, it's true, its the 20 years anniversary. I have excellent memories. It was so much fun and I think Tarantino continues to be a very important director, making extraordinary films. I only have good memories.

Original Source: https://goo.gl/eyfpSZ
Chosen/translated by: Daniela.
Revised by: Badriah.

Not only Pulp Fiction is one of my favorite movies, but also is known as one of the best cinematographic works of all time. This film was nominated for 7 Academy Awards, including Best Picture, and won many other prizes.

In 1994, Tarantino directed this masterpiece that would influence generations and movie genres. Our Portuguese actress Maria de Medeiros played the role of Fabienne, the French lover of Butch, played by Bruce Willis.

I don’t know why she didn’t play a Portuguese character, but this seems to be a normal thing in Hollywood: Portuguese actors never play the role of their real nationalities. For example, Joaquim de Almeida is always the Latin, Spanish or Brazilian bad guy; Pepe Rapazote will appear in Narcos, as a Columbian drug lord, or even Diogo Morgado, who played Jesus.

However, we need to be proud of Maria de Medeiros, because she shared the big screen with iconic actors like Bruce Willis, Uma Thurman, Samuel L. Jackson and John Travolta.

- Daniela.
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Review: São Jorge
BY RICARDO DURAND • MARCH 9, 2017 • ESTRELAS TRENDY  * •• ❤ 873 • (3.5/5 rating)   

SCRIPT: 60%

Directing:65%

CASTING: 60%

SOUNDTRACK: 65%

CINEMATOGRAPHY: 90%

WITH EXCELLENT CINEMATOGRAPHY, THE BEST THAT'S EVER BEEN SEEN IN PORTUGAL IN THE LAST FEW YEARS, SÃO JORGE LOSES ITSELF FAR TOO MUCH IN INCONSEQUENTIAL SCENES.

SUMMARY: (3.5/5)

It's the most widely covered movie of recent times; it's been held in high regard by the press and presented as the definitive portrait of a Portugal in crisis. Gut punch or failed uppercut?

Failed uppercut. In most Marco Martins interviews, he talks about the times he and actor Nuno Lopes went underground, looking for fight clubs and the tough collection agencies for São Jorge.

The result, while it's an excellent documentary about the time Portugal was under Troika's judgement, fails when it comes to cinematic narrative. Sometimes it seems more like we're watching a docudrama than a production fit for the big screen.

With excellent cinematography, the best that's ever been seen in Portugal in the last few years, São Jorge loses itself far too much in inconsequential scenes, especially the ones that show Lopes' job as a debt collector.

It's a difficult job, that makes his stomach churn, but it's his only way to give his son a decent living; they both live in a house in a poor neighbourhood, inhabited by more than ten people who all have the same drama in common: unemployment.

São Jorge's cast is based on real people who appear in scenes improvising dialogues about their marginalised realities – it's precisely here that São Jorge becomes a hybrid between documentary and film that doesn't make sense and that prevents it from deepening the conflict between Jorge and his struggles.

It's also a bit incomprehensible why the movie would only have a couple boxing scenes (one of them being the protagonist training at the gym), when we know that Nuno Lopes was entrenched in clubs where this sport is practiced for six months. The question we need to ask is: what for?

Whoever expects to see a consistent story that flows well throughout the two hours of screening will be disappointed, because there are many moments that cut between the action and we are left exasperated with how unimportant they are to the narrative.

It's like Nuno Lopes talked to Marco Martins about his old dream of making a film about boxing. So we'll keep waiting for that day to arrive and that it'll be one of Portuguese cinema's masterpieces; something São Jorge failed to achieve.

Original Source: https://goo.gl/rIxF9B
Chosen and translated by: Mariana.
Revised by: Badriah and professor Elena.

I actually haven’t seen São Jorge but, like this reviewer pointed out, it had a ton of media coverage and every time I passed by the cinemas there would be posters of this movie so I thought something related to it would be culturally valuable to the blog. I chose a review because I like reading reviews before I watch movies, and I thought it would be useful for an English reader to know what critics think of it. I chose this review in particular because despite the critic giving it such scathing negative feedback, it the overall score he gave it was quite high, which I thought was interesting.

- Mariana.
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Aldeia da Roupa Branca (Village of the White Clothes)

Beatriz Costa


Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
Clothes in the hill drying
Observe it well, so white and light
Gives ideas to those who look
Observe it well, its like falling snow

Cold water, of the little river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,
That the customer added to the list. (2x)

Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
Look at this wedding set
Observe well, the blue of hope
The mount looks like a pigeon house
Observe well how white are the doves

Cold water, of the river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,
That the customer added to the list. (2x)

Ah! River Do not complain,
Ah! Soap does not kill,
Ah! It even washes the fish,
Ah! It gives them their silver colors.
A sheet of unbleached cloth,
Observe well how cleaned it is,
We slept on it, me and you,
Observe well, it is linen color.

Cold water,  of the river,
Cold water heated by the sun,
Old village, bring the idea,
White clothes that we hanged.
Three Corsets, one apron,
Seven pillowcases, a sheet,
Three engagement shirts,

That the customer added to the list. (2x)


Original Source: https://goo.gl/uS3DYH
Chosen by: Luisa.
Translated by: Luisa.
Revised by: Badriah.

“Aldeia da Roupa Branca” is a 1938 Portuguese film, seen by every grandmother in Portugal and held as a national cinema classic. This tale has been made timeless, not only by starring an actress who is considered to be the most important Portuguese actress: Beatriz Costa but also by the iconic song she sings in the most recognizable scene of this moving picture, where she is doing laundry in the river while singing this catching tune.
The most recent generations of the Portuguese population may not recognize the film or the song. In my opinion, a huge role to play in Portuguese pop culture and cinematic past. It depicts the Portuguese 30’s society very faithfully and it is about ordinary people doing ordinary activities in an ordinary scenario while still showing the richness of what it is to be part of the extraordinary Portugal. Always with a bit of a love story mixed into it, and how beautiful Portuguese love stories can be in a place like this one.
I found out that translating this song is a bit of a challenge mainly because of the Portuguese jargon, considering that those lyrics are “very Portuguese”, some words appear to lose it’s identity when translated.

- Luisa.
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Analysis - Captain Falcão

Sergio Batista. April 30th, 2015



Before joining the PróximoNível team, I have already had some practice in writing game reviews. However, the same does not apply to movies, something I do not consider myself the greatest expert on. But I am able to distinguish a good film from a bad one and there is no better way for me to start writing movie reviews than with a film about a fascist superhero.

Captain Falcão (Falcon) is a satire of Salazar's dictatorship in Portugal during the 60s. At first, Captain Falcão was going to be a TV series with a pilot episode scheduled to air, but it wasn't approved. So they decided to change the format and now we have the first Portuguese superhero film.



We follow the adventures of Captain Falcão (Gonçalo Waddington) and his partner, Puto Perdiz (David Chan Cordeiro) in their fight against the enemies of the nation, taking orders from António de Oliveira Salazar (José Pinto). They face all kinds of threats: communists, feminists and the fearful Captains of April.

The idea of ​​a superhero who defends Estado Novo and its ideologies may seem bizarre; however this film carries out this idea without failing. Some people see this as an advertisement for fascism and Salazar and truthfully, it really is, but it's all part of the premise of the film which makes it into something unique and never seen before in Portuguese cinema.



The film is strongly inspired by the 60s superhero television series such as Batman and The Green Hornet. It may rely on scene transitions or backgrounds to simulate motion while you are in a vehicle and it has a very striking visuals. Unlike the superheroes mentioned above, Captain Falcão can be an incredibly despicable person, but with a certain charm, especially when he starts yelling and saying things that I will remember and quote for a long time.

All this is a result of the script and the excellent interpretation of the actor who provides hilarious moments all the time. The film is full of exaggerations and politically incorrect jokes where the biggest victim is indeed communism, which makes sense given the historical context. One thing is certain: if I was a communist, I would not accept a Portuguese rice muffin so soon during an interrogation.



The rest of the cast also does a great job to interpret their roles. Puto Perdiz remains silent all the time, but communicates through his expressions, looks and especially when he's fighting.
Salazar almost convinced me that he was just an innocent elderly.

I could not forget to mention the fighting scenes. Thanks to the group Mad Stunts, we can watch detailed fight scenes that make the movie even more intense and fun to watch.



Unlike the "typical Portuguese film", Captain Falcão is a breath of fresh air. Not only is it a fun, provocative and innovative film, but it also opens the door to new different genres of films in Portuguese cinema. But for that, this film needs to be a success, so fulfill your civic duty and go watch the movie!

Pros
  • Political satire with fighting scenes
  • Captain Falcão yelling
  • The dinner and interrogation scenes
Cons
  • It is the ideal film for communists
  • The plot twist of the end was predictable
  • We need to wait for the sequel

Original Source: https://goo.gl/3IaVSy
Chosen by: Daniela.
Translated by: Daniela.
Revised by: Badriah.

I chose this film because I think it innovated the superhero genre in Portugal. We had never had a Portuguese superhero, until João Leitão decided to shoot this movie.

It is a film that can be watched by everyone, because it makes fun and parodies elements of global pop culture that marked generations. For example, the Captains of April are a reference to Power Rangers and X-men. The Communist super villain is a reference of the Ming the Merciless from Flash Gordon.

I have to admit that this movie was the first and the last Portuguese film I've watched in the cinema. This movie is a must see.

- Daniela Marques


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The city of Porto, a beautiful baroque town, capital of Northern Portugal, overlooking the Douro river is considered one of the "Best Tourist Destinations in Europe of 2017". Porto has been hosting one of the most prestigious European (if not global) film festivals for 37 years.
There are 10 days of celebration for the world of cinema, in which producers, directors, actors, distributors and (a whole lot) of spectators meld in a multifaceted program with focus on the fantasy genre. Therefore, it's unsurprising that aside from a horror movie, the festival also screens a drama, a documentary, an art house film or and an experimental piece.

There are 10 categories, four of them are competitive with unique international judges who "feed" on the most recent international productions. There are round 50 countries every year are represented for a grand total of 200 to 250 long or short films, all of them never before seen in Portugal. There will be conferences, debates, Q&A's, a lecture dedicated to cinema in schools and the creation of a cultural zeitgeist. The Arts will be be present in this multifaceted event with book presentations and plastic art exhibitions.

Great names in cinema have passed through Porto. Around 200 guests are invited annually, including Max von Sidow, Guillermo del Toro, Wim Wenders, John Hurt, Rosana Arquette, Danny Boyle, Ben Kingsley, Paul Schrader (just to name a few) and they have been coming to Porto to showcase their films, some are even Shown before their worldwide early screenings.

The program, as always is very new and incorporates productions being shown in early screenings throughout the world and Europe. The festival brings to Porto dozens of journalists and foreign distributors, who can then watch the movies that will enter the commercial circuit "firsthand". At the same time, the Festival has a mini Film Market, the Industry Screenings which are means to connect to the movie industry.
Tickets are sold online, with each one costing 5 Euros, or 8 Euros for two, and passes for all screenings are 100 Euros. The 37th edition of the Porto International Cinema Festival, or Fantasporto, was created in 1981.
Porto has its arms wide open for you. Welcome to the world of Arts, to the world of Film.

Original Link: https://goo.gl/ZdYyho
Translated by: Mariana
Revised by: Badriah
Chosen by: Mariana

I chose to translate a text on Fantasporto not because I’m a big fan of supernatural films. In fact, I hardly have time to watch movies at all! But because I’d very much like to. I see ads for the festival every year since the year I moved to Porto and it’s always intrigued me. I thought if I forced myself to do an cursory research on the topic, I’d be more excited about it next year. And I am!
Translating this particular text was more challenging that I expected. The author uses a lot of turns of phrase and long, complex sentence structures that are very characteristic of Portuguese, which caught me off guard for a text presumably geared at a wider audience. However, in the end, I managed to translate it to the best of my abilities.  

- Mariana Costa





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About Us

Hello & welcome to our blog!

We are four students from the Faculty of Arts & Humanities at the University of Porto, hoping to bring you the best in Portuguese Pop Culture.

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